Most intense shot

In 2013 I had the pleasure of working with actor Murphy Guyer . I was understanding in advance that Murphy was a very seasoned professional . He was to play a terrifying character opposite mine and our scene was a brutal domestic fight between characters as well as a clash and control of power . His audition was absolutely explosive.

Murphy arrived and we did not mix up in any way prior to shooting . Our director Bob staged an actual combat scene and the build of rage in the room was so intense when we were running it that production designers  and other grip left the room . The location was an old, haunted, mansion .

I was feeling actually drunk on my imagination and emotionally triggered.

I purposely had stepped into Murphy's hand as we were running the scene and he smacked me hard in the face.  That was controversial of me but later I felt it was a choice that was made that came from logic.  

And that choice to step in and get smacked , I owned it and damn , it worked.  Guyer and his character were pissed. I was triggered to a place I could not even imagine prior . At a certain point the line between actor and characters was extremely thin as Guyer was shouting at me and raging and I was sobbing and screaming and fighting back until he finally took control of my arms  as per the directions in the scene , put me on my knees ,and took a prop pair of kitchen scissors and cut my hair off (a wig) 

I was shaking in my boots in real life at the first sight of Guyer.  He comes with the energy he just brings it . I felt it before I even saw him off set . I was in Day 2 of about 50 shots before working with Guyer so I was completely and totally broken down and in the right place to do the scene. 

It was sick and evil . I felt true grit.

I won't forget that experience . Ever .Thank you to my fellow actor and director.

Afterward, Guyer left quietly. There was no one having a laugh after the "cut". There was no tea happening at the catering table . I hope to run into him again ...

 

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Forward moving!

In 1940 the release of "His Girl Friday" directed by Howard Hawkes and starring Cary Grant and 4 time Oscar nominated actor Rosalind Russell was a noteworthy film . This film has more words spoken per minute than any other In American film history .The effect and the chemistry between the two stars make it the kind of film that has you glued to your seat in anticipation . The pace is fast,  the professionalism and synchronicity between Grant and Russell is absolutely irresistible . It is FUN.

I worked with a great Hollywood producer named Bob Degus who directed me on Theatre Row. Bob had me study Roselind in scene one of "His Girl Friday ". Specifically Russell's confidence , her pace and get -down -to -business attitude . She was elegant and held upright but she was on a mission in scene one to begin her life again with promises from a new fiancé.

Rosalind played Hildy in this scene with dignity but moving as if her life depended on it . Hildy's fiancé had more holes in his plan than Swiss cheese but Russell's character Hildy was racing into her bad decisions beautifully. Hildy reminded me of a large cat dodging across the wild, ducking down, swerving around like a Panther. I imagined her as the sleek Panther moving as fast as flash of lightening for the things she never got out of marriage #1 to none other than Cary Grant who, in this film foils her plan perfectly . 

As an actor , film study is part of the job. To see other actors and their choices and physical qualities expands our possibilities in the present and informs us in stage or on camera . Recalling our own feelings as we watched can certainly spur our imagination just as reading a great novel can conjure images .

Seeing Rosalind with her head high over and over , looking closely, feeling her feeling , imagining her story, recalling stories from my own life in my past of urgent times and need to "move forward", I  fused all of this and whipped up an emotional soup. I brought those qualities and energy to My character Rita Hayworth every night as I moved "with purpose"  onto the stage for my scene 1.

Thank you to Bob for that super direction. Ironically , "Forward Moving" is a theme in my 2018. Let's move it kids!

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Hildy and her forward moving energy.